“A complete first draft.”

The phrase itself brings a burst of warmth to the aspiring author’s heart.

A first draft is your ticket to the whole game. Without a first draft you can’t have a second draft, and without a second draft you can’t have a final draft, and without a final draft…well, you get the idea. There’s no book at the end of this rainbow.

So why is it that a precious few aspiring authors ever achieve this basic goal? Why, try as we might, do so few of us complete that first draft?

Different things get in the way for different people, but in this week’s video, I want to talk about one roadblock that might surprise you.

It’s counterintuitive, especially coming from a career book editor. But here goes.

 

How to Overcome “Death by Editing”

 

Many, many aspiring authors bury their book dreams by editing.

Now let’s be clear, I love editing. I care more than I’d like to admit about a well-crafted chapter; a paragraph that sings; a succinct turn of phrase.

But to quote, y’know, the Bible, “to everything there is a season.” And the season for editing is decidedly not “first draft season.”

[Editor’s Note: I am aware that the phrase “first draft season” sounds vaguely sports-related. Anyone reading this blog is likely a book person, and I’m pretty sure the Venn diagram of “book people” and “sports people” has no overlap. So I want to assure you it’s not that draft I’m speaking of. You are safe with me.]

“First draft season” is, of course, the period of time during which you are writing your first draft.

The emphasis, here, is on writing. Not editing.

 

Editing is, in fact, the enemy of the first draft. Let me count the ways:

 

  • A first draft is about making progress. Reconstructing a single sentence twenty times is a great way to not make progress.
  • Editing too early encourages self-doubt and self-criticism, both of which use your creative muse for target practice.
  • And finally, writing a first draft requires…writing. Editing is not writing. It’s not. At best it’s writing in sheep’s clothing. Don’t be fooled!

I wrote the entire first draft of The Book You Were Born to Write without any editing whatsoever. It took serious discipline; the siren song of editing is real. But I knew if I succumbed, I would never meet my deadline. So I sat down every day and wrote, wrote, wrote.

This is precisely the way I want you to write your first draft.

Because I’m codependent and live only to help others, I’ve compiled my top tips for writing a first draft without falling prey to the editrix within.

Read and apply, my writer friend. Read and apply.

 

How to Write a First Draft Without Editing: 4 Tips

 

  • Work from a tight outline. I have waxed poetic many times before about the power of an outline, so I will keep this simple and to the point: When you have a full, detailed, healthy outline, you never need to ask yourself where to start writing. Having a known starting point leaves less space for your procrastination brain to decide to just edit this one little paragraph. (And four hours later…)
  • Let yourself read yesterday’s last paragraph—only. Editing your work is a sneaky avoidance mechanism, because it looks kind of like writing. It’s a “credible excuse” for making zero progress. I need to go back and rework yesterday’s writing to make sure it’s good enough. Newsflash: It will never be good enough, especially if you are unconsciously looking for an excuse not to write. So you don’t need to go back and reread a dozen pages before you can start writing. You just need to re-read the last paragraph you wrote yesterday, so you know where to start today.
  • Repeat to self: It needs to be done, not perfect. Not long ago an acquaintance showed me an early copy of her self-published book. “It’s not my best work,” she admitted. “But done is good enough, right?” Um, no. No it’s not, not to a book editor. So let’s be clear, I am not speaking of your final draft here. But a first draft is not supposed to be perfect. It’s simply supposed to be done. So repeat the mantra: It needs to be done, not perfect. Perfection can come later.  (Speaking of which…)
  • Work an editing period into your timeline. One great way to avoid dawdling away your book writing time is to know you have time set aside specifically for editing—just not until later in the process. I recommend giving yourself a writing deadline with a month (or more!) to spare before you need to show the book to anyone. During that extra month, you can go back to reword, rework, and perfect your prose. Knowing you’ve got an editorial period pre-planned means you have no excuse to edit now.

The importance of editing cannot be overstated. It’s one of the critical keys to producing a book you can be proud of. (Don’t be my acquaintance, who apologized for her work before she ever put the book in my hand!)

Self-editing, developmental editing and technical editing each has its role—and its season—in the process.

 

But without fail, and in every single case, writing comes before editing.

 

If there’s just one takeaway from this video, let it be that. Zero editing makes for a healthy first draft.

Now go forth and write!

(And of course, when the time is right, our editing services will be ready and waiting. To schedule a chat and get some free advice, visit our scheduling page.)

In this week’s video, I’ll give you the tools you’ll need to actually get that first draft written! Don’t miss out on this incredibly useful info from someone who’s been in your shoes.

 

Kelly Notaras is the founder of kn literary arts and the author of THE BOOK YOU WERE BORN TO WRITE: Everything You Need to (Finally) Get Your Wisdom Onto the Page and Into the World, published by Hay House. An editor for 20 years, she’s worked at HarperCollins, Penguin, Hyperion and Sounds True. She speaks regularly at the Hay House Writer’s Workshops and offers consultation by appointment. Find out more about how she can help you with your book.